


It was a beautiful February day in Alexandria, Nebraska.
It wasn’t a sad day… it was a day we celebrated the life of Uncle Dale, my father’s closest friend. He lived to be 98 years old and had an incredible life. After the service, we gathered at the Methodist church, sharing stories, laughing, remembering. It was there that I was handed something I had never seen before… my great uncle Edwin’s senior portrait from 1919.
I remember saying, “Oh, I can’t take that…”
And the response came back quietly…
“There’s no one left to give it to.”
That moment stopped me in my tracks.
The portrait had been passed down through generations… surviving more than a century… through the Great Depression, through wars, through time itself. It had been preserved inside its original presentation folder, protected in a way that feels almost foreign today. It was given to me by Edwin’s great-grandson, who simply wanted it to remain with someone in the family… and in that moment, they knew it needed to come to me because of what I do, and because of the portrait I had created of Uncle Dale years earlier.
And as I held it, I began to think about everything it had taken for that image to still exist.
Edwin’s parents cared enough to travel to a nearby town to have it created…The photographer cared enough to create something beautiful… something technically excellent… something worthy of being kept. And through the years, someone cared enough to protect it… to pass it down… to make sure it didn’t disappear.
Until finally… someone cared enough to place it in my hands.
Because someone cared.
And in that moment, I realized something I hadn’t fully understood before.
The kind of work I had always been drawn to… the work I cared most about creating… was never accidental. The Santa sessions, the children’s portraits, the Heritage Series… they all carried the same intention. I just hadn’t yet seen how far that intention could reach… how it could live on long after we’re gone.
That portrait didn’t change what I love to create.
It revealed it.
It showed me that what had always been there… was something deeper. Something passed down. Something worth continuing.
And now it sits with me as a reminder.
That the responsibility has been handed forward.
That the work matters.
That how we create… how we teach… how we guide others… it all becomes part of something bigger than us.
Because someone cared.
And now…
I’m the one who has to.


Chris Fritchie is an internationally recognized portrait photographer and educator, known for his work in storytelling and fine art portraiture.
His work has been recognized at the highest levels of the industry, including being named MPI 2024 International Portrait Photographer of the Year. He was also awarded Best of Show at the Texas Professional Photographers Association for his children’s fine art portraiture, and has earned the Texas ASP State Elite Award in both 2024 and 2025.
Chris holds the prestigious Master of Photography, Master Artist, and Master Craftsman degrees from the Professional Photographers of America, and is a Certified Professional Photographer (CPP). His work has been honored across multiple national, state, and local competitions.
But competition has never been about collecting awards.
More than a decade ago, Chris made a decision that his work would never become irrelevant. He continues to compete and place his work in front of the best photographers in the world… not for validation, but for accountability.
It is how he sharpens his craft, challenges his assumptions, and ensures that his work continues to meet the highest standards recognized across the industry.
That same expectation carries into his teaching.
He challenges his students to do the same… to pursue growth, to seek honest evaluation, and to create work that holds up under the highest level of scrutiny.
Because this work carries responsibility.
Studio 1919 was built from that belief.